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No Money No Family Sixteen in the Middle of Miami

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2013 single by Iggy Azalea

2013 single past Iggy Azalea

"Work"
"Work" cover art
Unmarried by Iggy Azalea
from the anthology The New Classic
Released 17 March 2013
Recorded 2012–thirteen
Studio Rockfield Studios and Monnow Valley Studios (Wales)
Genre
  • Snap
  • trap
Length iii:43
Label
  • Def Jam
  • Virgin EMI
Songwriter(s)
  • Iggy Azalea
  • The Invisible Men
  • Trocon Markous Roberts
  • Natalie Sims
Producer(s)
  • The Invisible Men
  • 1st Down of FKi
Iggy Azalea singles chronology
"Trounce Down"
(2012) 		"Work"
(2013) 		"Bounce"
(2013)

"Piece of work" is the debut single recorded past Australian rapper Iggy Azalea for her debut studio anthology, The New Classic (2014). It was released as the anthology'southward lead single on 17 March 2013. The rails was written past Azalea, Trocon Markous Roberts, Natalie Sims, and The Invisible Men who produced it with 1st Downwardly of FKi. Hailed by Azalea as her most personal song, "Work" was developed with motivational and inspirational intentions to portray her life story; specifically dealing with her struggle equally an up-and-coming rapper, and her relocation from Mullumbimby, New South Wales to Miami, Florida at age xvi. In sequence with its lyrical story, the snap and trap runway begins with a sorry-stringed poetry segment before significantly increasing in tempo at its drum and synth-heavy refrain.

A number of music critics consider the song to exist among Azalea's best output, namely praising her flow and the depth of the lyrical content. Commercially, "Piece of work" became a sleeper hit; it peaked at number 17 on the UK Singles Chart and number 54 on the Usa Billboard Hot 100, but was certified silverish and platinum by the British Phonographic Industry (BPI) and Recording Industry Association of America (RIAA), respectively. "Piece of work" became one of the lowest peaking songs to receive a sales certification in Commonwealth of australia where information technology reached number 79 and was certified gold by the Australian Recording Manufacture Association (ARIA).

An accompanying music video was directed past Jonas & François and released on 13 March 2013. Inspired past several films, it features Azalea performing twerking sequences and a recreation of Vanessa Ferlito's lap dancing in the 2007 film, Death Proof. The video earned Azalea a nomination for Artist to Lookout man at the 2013 MTV Video Music Awards, and was praised by critics for its fashion, and portrayal of the song's lyrics. Among her alive performance staples, Azalea promoted the single with alive renditions on Britain & Ireland's Next Height Model and Nikki & Sara Live. It was also included in the set list for her The New Classic Bout (2014). A number of remixes were commissioned for the single'southward release, including an official remix featuring American rapper Wale.

Background [edit]

A road entrance to a building consisting of white-painted wooden gates, facebrick walling in a green landscape which prominently features various tree species.

During December 2012 and January 2013, "Work" was developed by Iggy Azalea as one of the first three songs for her debut studio anthology, The New Classic.[1] The vocal was written in Wales during a flow of heavy rain which inspired her to create a track that was "deplorable, simply in a weird way, similar happy or calming or sort of peaceful".[2] With the track, she wanted to requite as much information equally she could about herself to detract her listeners from being influenced by criticism and tabloid journalism about her; she disliked the idea of revisiting her past, but felt that it was necessary for her listeners to chronicle with.[2] [three] Existence her first autobiographical song, Azalea encountered difficulty during its writing considering of the personal discipline matter which she felt she could not fit into a song on its own.[iv]

Azalea wrote the song with The Invisible Men, Trocon Markous Roberts and Natalie Sims.[5] Sims stated that she, FKi, and Azalea had initially met dorsum in 2008, but lost touch when Azalea moved to Los Angeles.[6] [7] The rails specifically drew inspiration from a period when Azalea suffered from low, and dropped out of high school to get a domestic worker with her female parent.[8] Azalea saved money for a flight ticket to Miami and left Mullumbimby, New South Wales before she turned 16—an event referenced in the song'southward lyric "No money / No family / 16 in the middle of Miami" which Azalea felt "said information technology all".[iv] [9] For this reason, she chose to write and tape "Work" in isolation in Rockfield, Monmouthshire, with no phone reception, visitors or interruptions.[5] [x] [11] She felt equally a location it would help her recollect the personal struggles she wanted to write about on the song. Azalea also believed that her best output was produced when in an surround outside her condolement zone.[12] Her vocals were recorded at Rockfield Studios and Monnow Valley Studios.[5] Sims, who abandoned four tour dates in order to fly over to Britain to bring together Azalea,[7] commented on her own involvement in the vocal that "Fresh out of a breakup and depressed I spent a month in London in a small 10×ten studio somedays writing and writing and writing… Regardless of whether or non you like the content the song told Iggy's true story of struggle sacrifice and hard work as an artist."[half dozen]

Musically, Azalea plant inspiration for the composition in the chord progression featured in Outkast'southward "B.O.B" (2000).[thirteen] "Work" was produced by The Invisible Men and 1st Down of FKi.[5] Azalea stated that the producers "found a center ground" on the vocal, with 1st Down beingness responsible for its "cool culling audio", and The Invisible Men creating its "more commercialised, cleaner [and] sleeker sound".[14] Anthony Kilhoffer completed the mixing procedure, with the assistance of Kyle Ross, at The Mix Spot in Los Angeles.[5] Following the song's completion, Azalea felt that it achieved the goal she set for its parent anthology, and denoted it as the tape's most of import and vulnerable moment.[three] [15] She has as well cited it as her near personal song and the song she is well-nigh proud of.[sixteen]

Limerick [edit]

"Work" is a snap and trap vocal which incorporates elements of EDM.[17] [xviii] Nina Long of Respect. describes it as the "polar opposite" of Azalea's previous cloth.[19] The track opens with Azalea challenging "Walk a mile in these Louboutins", upon a sweeping keyboard introduction and balladic beat.[20] [21] It then leads into a similarly sad, string-laden first verse segment containing plaintive melodies.[18] [20] [22] According to Gregory Adams of Exclaim!, the song "starts off smooth and ballady, with Azalea running through lines about her background, but presently drops into lodge-minded claps and screeching synths".[23] A prominent synth, bass and drum-heavy production drop formula then occurs at the song'south refrain, in which Azalea repeats the claw, "I been work work work work, workin' on my shit".[18] [24] [25] [26] The production drop casts Azalea'southward rapping against a combination of a Roland TR-808-heavy, minimal trap beat and EDM clapping furnishings.[18] Using divisive Southern American English pronunciation, Azalea employs a defiant and rattling, staccato delivery in double-time.[21] [27] [28] Her rapping pace varies from fast, intricate rhymes to slow, stretched-out atypical words.[29] While in the verses, her commitment is expletively riddled.[30]

The lyrics are autobiographical and portray Azalea's fame-seeking relocation from Mullumbimby to Miami at the age of 16, and bargain with subjects of work ethic and dedication to craft.[22] [31] It specifically accounts for the events of Azalea growing upwardly in Mullumbimby, juggling multiple occupations to save an income to independently start anew in Miami.[32] The lyrics too serve as a commemoration of Azalea's progression from being a struggling rapper every bit a rags to riches story and an underdog anthem.[28] [33] [34] The line "Who don't know shit 'bout where I was fabricated / Or how many floors that I had to scrub," was suggested to be directed at her "haters".[35] While the couplet, "Two feet in the red clay, school skirt, sugar cane, back lanes" is eloquent for Azalea's origin.[36]

According to Jessie Schiewe of Respect., the lyrics besides imply that Azalea "was swindled and accept reward of in her kickoff record deal", and that it provides insight into events that take toughened Azalea upward.[fifteen] While Cristina Jaleru of The Associated Press deduced that the lyrics "Starting time deal changed me, robbed blind, basically raped me / Studied the Carters till a bargain was offered, slept cold on the floor recording," are rapped "not as a complaint but every bit a badge of honor".[37] Nick Aveling of Time Out writes that Azalea is depicted as a "hustler" and a "woman with immense appetite" in the song.[8] In a NPR publication, Ann Powers viewed the lyrics to exist of "unremitting toil", too every bit detailing a story of Azalea "staying upward night after night to principal her period".[38] John Lucas of The Georgia Direct compared the lyrical content to that of Drake's "Started from the Bottom" (2013).[39] Co-ordinate to Matt Jost of RapReviews.com, "Work" is similar to the works of 2 Alive Crew and is a "nod to Miami's music history".[40]

Release [edit]

"Work" served every bit Azalea'due south debut single as a lead artist, and the lead single from The New Classic.[41] Following its premiere on BBC Radio 1Xtra on 11 February 2013, Azalea tweeted, "Thanks for supporting me and I'grand happy to have a first single well-nigh my story and not something meaningless i promise information technology inspires and motivates".[twenty] Her label afterward appear that an extended play (EP) for the single would be released on 8 Apr 2013.[42] Azalea posted a timed preview of "Work" on SoundCloud on 24 February 2013.[43] The following day, Azalea appear on Twitter that the song would exist digitally released within the beginning week of March 2013.[44]

"Piece of work" was released equally a digital download on 17 March 2013 in the Great britain.[45] A digital EP—which included remixes by Jacob Plant and Burns—was then fabricated available on vii Apr 2013.[46] In the U.s.a., the song impacted rhythmic contemporary radio on 25 June 2013.[47] An official remix featuring American rapper Wale was premiered by Samsung on 28 June 2013. In the remix, Wale performs a 16-bar rap in identify of Azalea's second verse in the song.[48] The remix was well received by reviewers from Idolator,[49] Rap-Up,[50] The Line of Best Fit,[51] and XXL.[26] A 13-rail remix bundle and the Wale remix was and then released in the U.s. on 16 and 23 July 2013 respectively.[52] [53]

Critical reception [edit]

"Work" received universal acclaim from music critics. In a Billboard publication, Robert Christgau called the song "excellent" and "something [Azalea] wants us to call back", and commented: "Y'all want authentic? Iggy Azalea has all the lineaments of a risk-taking immature rebel without a well-off family to back her up."[54] Christgau went on to praise the rails's hooks, and explained: "The hooks, of course, are 1 reason hard die-hards put her downwards—in the truimpant Dirty South manner, her hip-hop is radio-friendly as a matter of principle. The cumulative weight of the long-player they never think about."[54] Monica Herrera of Rolling Stone called the vocal "a bombshell-next-door movement that demands attention".[55] Matt Orkine of Triple J listed it as the year's ninth best single, and viewed it as a "directly-up banger" and his "guiltiest music pleasure of 2013".[56] Kellan Miller of XXL deemed information technology "the song that made the earth fall in honey with Iggy all over again".[57] Justin Monroe of Complex called it the album's "infectious and incomparably less weird first unmarried", and complimented its power to provide listeners with a sense of Azalea's background.[28] While Sam Weiss of the same publication described the vocal "equally wild and eccentric as anything she'south done so far".[44]

Slant Magazine 's Joe Sweeney felt that "Piece of work" was the album's standout track and believed that it portrayed a real sense of Azalea's potential as a storyteller, and commended her delivery, "Yous can hear every inch of how far she'southward come".[21] Sweeney's view was shared past Andy Gill from The Contained who also named "Work" the highlight on The New Archetype, and said Azalea's double-time delivery was best-employed on the song.[32] HipHopDX's Marcus Dowling wrote that "Piece of work" was "an extraordinarily well-rounded listen" and the "honest and intriguing greatness" of The New Classic.[18] Dowling commented that the line, "No money, no family, 16 in the middle of Miami", provided an "bounding main of depth [...] that makes the residue of the anthology experience like swimming in a kiddie pool".[18] Matt Jost of RapReviews.com concurred, and called the song "the certain winner" and "lyrically well-nigh ambitious offering" of the anthology.[xl] Jost opined that the rail was "memorable" and its production "cleverly subverts expectations", and explained, "Information technology's when she keeps it simple and relies on her indeed present swagger that the Iggy Azalea character works best".[40] Similarly, Alex Scordelis of Paper described the track equally "the cornerstone" of the album and complimented its "insanely catchy chorus".[58] Scordelis believed it marked a heightened evolution in Azalea's growth equally a rapper, and stated, "['Work' is] a song you lot can hands imagine Azalea performing for years to come".[58]

"Work" was positively reviewed by writers of Amusement Weekly; Kyle Anderson opined that the rail was "a thoroughbred entry in the song of summer race",[59] while Ray Rahman called it a "bulletproof party banger".[lx] Devone Jones of PopMatters viewed Azalea'due south "sombre idea-processing" equally "well-executed", and appreciated her for "picking gritty gangsta-popular [sic] beats over EDM and trip the light fantastic toe music equally well as deciding to rap almost her life before her new-plant fame equally opposed to her fame".[61] Also, Craig Mathieson of The Sydney Morn Herald explained that the song highlighted Azalea's "ability to meld the club music sounds that are permeating American hip-hop and pop into something unexpected and affecting".[62] In an Oct 2013 publication, Kitty Empire of The Observer wrote that "Work" was "ear-catching", and contained Azalea's "best-known zing"; "Valley girls giving blowjobs for Louboutins / What do you lot phone call that? / Head over heels?".[63] In 2014, Nolan Feeney of Time said "Work" was "by far the best matter she'southward done", and highlighted Azalea'south conviction and "rapid-burn" delivery,[64] while Digital Spy's Lewis Corner felt the song "remains one of [Azalea's] finest moments".[65] In 2015, NME ranked "Piece of work" tertiary in their listing of Azalea's all-time songs, backside "Fancy" and "1 800 Bone".[66]

Commercial operation [edit]

Commercially, "Work" was a sleeper hit and Azalea'due south breakthrough into mainstream success.[67] In Commonwealth of australia, the song bowed at number 88 on the ARIA Singles Chart issued for 23 April 2013, but re-entered more than than a year later on to summit at number 79 for the nautical chart dated 9 June 2014.[68] [69] The rails was certified gold by the Australian Recording Industry Clan (ARIA) for selling 35,000 copies; information technology became 1 of the lowest peaking songs to receive a sales certification in the country.[seventy] The rail debuted at number 98 on the Irish gaelic Singles Chart dated four Apr 2013, and reached a pinnacle of number 42.[71] [72] On the UK Singles Chart, the vocal entered at number 55 and peaked at number 17 in its 6th week.[73] [74] The vocal spent a full of 13 weeks on the chart.[73] Information technology was certified silver by the British Phonographic Manufacture (BPI) for selling over 200,000 units.[75]

In the United states of america, "Piece of work" beginning charted at number vii on the Bubbling Nether R&B/Hip-Hop Singles chart issued for 20 July 2013.[76] [77] Post-obit a 156% sales resurgence spurred by Azalea's appearance and nomination at the 2013 MTV Video Music Awards, the song debuted at number four on the Bubbling Nether Hot 100 Singles chart.[78] [79] On 13 August 2013, Billboard reported that the track percolated beneath the Rhythmic nautical chart.[80] It was more successful on the Dance Social club Songs chart where it peaked at number five for the calendar week-ending 5 October 2013.[81] In May 2014, the song received a 2nd sales resurgence following the release of The New Archetype and the success of Azalea's 2014 singles "Fancy" and "Problem".[82] It went on to acme at number 54 on the Billboard Hot 100 where it accumulated a full of xx weeks on the nautical chart.[83] The sales resurgence also saw the single attain a new peak of number 14 on the Hot R&B/Hip-Hop Songs chart, where it initially bowed at number 35 in September 2013.[84] [85] In September 2014, the track was certified platinum by the Recording Industry Association of America (RIAA) for sales of over 1 million units.[86] In January 2015, Billboard named it one of the biggest hits to have peaked at number 54 on the Billboard Hot 100.[87] In Canada, "Work" debuted on the Canadian Hot 100 at number 98 for the week-ending 27 September 2014, and reached a summit of number 87.[88] [89] It was certified gilded by Music Canada (MC) for selling more than twoscore,000 copies.[90]

Music video [edit]

Background and development [edit]

An image of a semi-desert landscape.

Some scenes in the music video were filmed in the Mojave Desert near the historical Easy Remainder Inn.[91]

The accompanying music video for "Work" was directed by Jonas & François and filmed in Hollywood and Lancaster, California in Feb 2013.[91] [92] A budget of nearly $100,000 was used for the production.[93] Initially, Azalea wanted to provide a literal representation of the song, and planned to shoot the prune in Australia, but fourth dimension constraints prevented her from travelling to the state.[94] Accordingly, a desert location was chosen to emulate Azalea's hometown, Mullumbimby.[91] Prior to the video's filming, Azalea felt she grasped the concept of what made a good music video and what viewers wanted to see in the clip for "Work". In turn, she combined several different ideas into the visual because she feared that a music video budget of the aforementioned calibre would not arise in future.[95]

One of Azalea's ideas was to pay homage to the Australian moving picture The Adventures of Priscilla, Queen of the Desert (1994), as its theme of discrimination was one she identified with as a rejected and struggling rapper.[96] Two scenes in the music video drew reference from the film: the fire swing segment emulated the film's blaze scene, and the convertible segment represented the film'southward bus.[94] Done colour elements were also implemented into the convertible scene which was inspired by the 1998 film Fear and Loathing in Las Vegas.[97] Another idea Azalea incorporated into the clip was the large-scale neon qualities featured in Outkast's music video for "B.O.B". Azalea stated that the featured lap dancing originated from Vanessa Ferlito's "infamous" scene of the aforementioned activeness in the 2007 film Death Proof.[96] She plant Ferlito'southward lap dance appealing, but was convinced to recreate it for "Piece of work" after she noticed its popularity through remakes of it on YouTube.[95]

Controversy arose during the music video'southward development when Azalea intended to habiliment a red, high-waisted leotard encrusted in rhinestone flames, to emulate the showgirl fashion featured in The Adventures of Priscilla, Queen of the Desert. The leotard, however, was deemed "also-vaginary" by one of the workers at the label Azalea was signed to, ultimately leading to the worker being dismissed from the projection and the leotard existence scrapped altogether.[93] Azalea's concluding wardrobe consisted of creations by Christian Louboutin, Jeremy Scott and the 2013 Spring/Summertime Collection by Dolce & Gabbana.[43] [98] Her stylist, Alejandra Hernandez incorporated several pairs of Louboutins into the music video because of their significance to Azalea when she was a struggling rapper who achieved her first sense of accomplishment afterwards buying her get-go pair.[43]

Synopsis [edit]

A portrait of a young blonde woman standing upright in a convertible car that is driving through a desert environment. She is waving a large piece of fabric material in the wind while two of her female friends are in the front seats of the convertible. The woman sports slick dark red lipstick, a tropical print bra-let and shorts.

The music video'southward storyline depicts Azalea'due south biographical journey from life on the streets to Hollywood.[98] According to Natasha Stagg of American magazine V, the plot involves Azalea rising from "trailer park standby to high-class Hollywood-ite in a matter of minutes".[99] The music video opens with Azalea confidently walking on a deserted highway situated in a desert surround. Azalea's costume includes night reddish lipstick, cerise-soled vertiginous Louboutins, a powder blue Givenchy bag, a tropical print brassiere and shorts. The scene is intercepted with visuals of called-for shoes and wheels. Azalea and then walks through a trailer park community where several locals stare at her as she passes by.[23] Upon the beginning of the song's chorus, the video transcends into a playground scene where Azalea dances in an evening setting, with a fire-lit swing every bit her backdrop. In this segment, she wears a grey crop superlative and ruby-red slim-fit pants, with her hair styled in a bun. The side by side scene involves Azalea performing in a trip the light fantastic-off with her 2 female friends in front of a Freightliner Truck.[100] Azalea sports a plum-coloured fur coat over a white mesh swimsuit.[101] In the segment, the three appoint in twerking and hair flicking actions.[102]

The visual then returns to the trailer park setting, where Azalea rides a lowrider bike through the expanse.[97] She wears a perforated yellow visor, black brassiere, spiked xanthous Louboutins and ethnic slim-fit pants.[100] [101] The video then enters a new scene where Azalea arrives at a dive bar and switches a jukebox on. At the bar, Azalea's two friends from the Freightliner Truck scene are seated at a table, and a long-haired homo wearing nighttime sunglasses awaits her on a chair in the centre of building. Azalea, dressed in a palm tree bikini and yellow neon shorts, performs a lap trip the light fantastic for the human being. She then steals his motorcar keys and runs off with her friends, who drive the man's convertible out into the desert.[97] Azalea is seen standing in the car, waving a thin piece of material in the wind. They drive through a solar day and night period before arriving in Hollywood in the morn. Azalea'southward friends then drop her off at a sidewalk, where the video ends with her walking in the city. She wears dark sunglasses, striped black-and-white shorts and a custom-made dalmatian-print blazer in the concluding scene.[100] [101]

Release and reception [edit]

On 4 March 2013, Azalea posted a fix of images from the clip on Instagram. The music video was initially scheduled for release on 11 March 2013,[43] though it premiered 2 days later on Vevo on thirteen March 2013.[80] A backside-the-scenes segment was released on 3 April 2013.[91] An alternating video directed by Colin Solal Cardo for an unreleased Adidas commercial surfaced online on 12 April 2014.[103]

Upon release, the music video was tagged with the warning "non suitable for piece of work".[43] It received praise from critics and was nominated for the MTV Video Music Award for All-time New Artist at the 2013 ceremony, only lost to Austin Mahone's "What Virtually Love".[104] The visual besides received three nominations at the 2013 Britain Music Video Awards, in the categories for Best Styling in a Video, Vevo Best New Creative person and Best Urban Video.[105] Camber Mag ranked the video at number 21 in their list of The 25 All-time Music Videos of 2013; author Sal Cinquemani stated that Azalea'southward swing set conjured that of Madonna's "Like a Prayer" (1989) and George Michael's "Liberty! '90".[106]

Shardae Jobson of The Source deemed Azalea's fashion "stylish" and "rustic".[107] A writer for MuchMusic described the clip equally "a full and complete visual trip jam-packed with Iggy's rad dance moves".[98] Natasha Stagg of 5 called information technology a "desert dream" and appreciated Azalea'due south "killer outfit options".[99] British magazine Fact wrote that the visual was "flashy" and "trailer park elegance", and compared it to M.I.A.'south "Bad Girls" (2012).[17] Julian Rifkin of Oyster viewed information technology equally "a high class product" and felt information technology emulated the song's lyric "Valley girls giving accident jobs for Louboutins".[92] He likened the clip'southward dancing to that of Beyoncé, and Grimes' "Genesis" (2012). Rifkin considered the production'southward Mid W theme to recollect Lana Del Rey's "Born to Die" (2011).[92] Contactmusic.com said the music video told an inspiring story of Azalea working her way upwardly from the lesser.[108] Jessie Peterson of MTV News called Azalea's wardrobe "subtly savvy".[101] Eric Diep of XXL stated that the clip was worth the expect, and described Azalea's "sexy poses and lap dances" every bit "merely the tip of the iceberg".[109] Diep praised Azalea's story estimation, and mentioned, "Pledge allegiance to the struggle, this daughter knows how to work it".[109] Jessie Schiewe of Respect. complimented the video for revolving around Azalea and paying homage to the song's lyrical story, and praised the rapper's lap dancing scene.[15] Kyle Anderson of Entertainment Weekly felt the video evoked the 1991 film Thelma & Louise and commended Azalea's "full run of frame-grab-worthy outfits".[110] The music video has received over 280 million views on YouTube equally of November 2017.[111]

Live performances and usage in media [edit]

A young blond woman singing into a microphone on stage. She is wearing a colourful top and poses with her right hand on her chest as green stage lights shine upon her.

Azalea performing "Work" at Loonshit Wien in Vienna.

Azalea showtime performed "Work" during the Manchester-cease of Rita Ora'due south Radioactive Bout on 29 January 2013.[112] She reprised the song until the tour's final date in mid-February, before performing information technology again during the European leg of the Nas' Life Is Skillful Tour.[94] Azalea went on to perform the vocal for her sets at The Bully Escape Festival and Radio 1'due south Big Weekend in May 2013,[113] [114] and at Gucci's Chime for Change Concert, The Parklife Weekender and the Glastonbury Festival in June 2013.[115] [116] [117] The song was then performed at the Wireless Festival, and London nightclubs 1000-A-Y and Fabric in July 2013.[118] [119] [120] Azalea gave her showtime live televised rendition of "Work" on viii August 2013 on U.k. & Ireland's Next Top Model.[121] As part of the single's promotion in the Us, Azalea performed "Work" on Nikki & Sara Live on 28 August 2013,[122] and for KIIS FM on 14 September 2013.[123] The song was also included in Azalea'due south set list at the 2013 iTunes Festival, where she was a supporting act for Katy Perry.[124] In Oct 2013, Azalea performed the rail as part of her sets during Beyoncé's The Mrs. Carter Show Earth Tour.[125] At the 2013 MOBO Awards, Azalea performed "Alter Your Life" and "Piece of work".[126]

In 2014, "Work" featured in the set list for Azalea's first headlining tour, The New Classic Tour.[127] A number of the tour'south renditions of the track featured an interpolation of RuPaul'southward "Supermodel", and a Miami strip-inspired stage backdrop as a reference to the song's "No coin, no family, sixteen in the middle of Miami" line.[128] [129] She also performed the song during her set for the 2014 MtvU Woodie Awards at South by Southwest in April.[130] On fifteen May 2014, Azalea performed the song on Jimmy Kimmel Live!. The rendition was praised by reviewers from Exclaim!,[131] Vibe and Idolator.[132] [133] On 8 August 2014, Azalea performed the vocal during her assault The Today Show.[134] Jim Farber of the Daily News noted that the rendition "put the emphases on a pre-recorded beat and the star'southward personality", and that Azalea'south "only whiff of pretence" during the set came in "a few lines in 'Work'".[135] Azalea later included the song for her sets during the Jingle Ball Bout 2014.[136] In 2015, Azalea performed "Work" as role of her set lists at the Redfest in February,[137] and the Ottawa Bluesfest and Quebec Metropolis Summertime Festival in July.[138] [139]

Selena Gomez covered "Work" in a brew-up with her song "B.Due east.A.T.", during her 2013 Stars Dance Tour.[140] [141] Contestants Bridget Whitman and Emilio Dosal performed a trip the light fantastic toe to "Work" during an episode of the eleventh American series of And then Yous Retrieve You Can Dance which aired on 9 July 2014.[142]

Track listings [edit]

  • ^a signifies a clean version.

Credits and personnel [edit]

  • Iggy Azalea – writer, vocals
  • The Invisible Men – writers, producers, drums, programming, keyboards
  • Trocon Markous Roberts – writer
  • Natalie Sims – author
  • 1st Down of FKi – producer, drums, programming, keyboards
  • Anthony Kilhoffer – mixing
  • Kyle Ross – mixing assistant

Credits adjusted from the album'southward liner notes.[five]

Charts [edit]

Certifications [edit]

Radio and release history [edit]

References [edit]

  1. ^ Anderson, Kyle (11 April 2014). "Iggy Azalea on chicken franchising, Australian rap, and learning from Beyonce: An EW Q&A". Entertainment Weekly . Retrieved 8 May 2014.
  2. ^ a b Azalea, Iggy (14 Apr 2013). "Behind the Stripped" (Interview). Interviewed by Vevo Lift UK. London: Vevo.
  3. ^ a b Stemer, Zak (26 April 2014). "Archetype Iggy Azalea". Chicago Sun-Times. Archived from the original on 12 May 2014. Retrieved 8 May 2014.
  4. ^ a b Buck, DJ; Barrow, Nancy; Franchize, Joey (25 June 2013). "Iggy Azalea Talks 'Work,' Rumors & Her Dirty Rima oris". WZMX. Archived from the original on 12 May 2014. Retrieved 8 May 2014.
  5. ^ a b c d e f The New Classic (Media notes). Iggy Azalea. United mexican states: Virgin EMI Records. 2014. p. 7. 3781892. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. ^ a b "Natalie Lauren Details Her Relationship With Iggy Azalea". Jam the Hype. 21 October 2014. Retrieved 1 March 2016.
  7. ^ a b Daniels, David (four Feb 2015). "Christian songwriter Natalie Lauren maneuvers working for Iggy Azalea, Lecrae". Rapzilla . Retrieved ane March 2016.
  8. ^ a b Aveling, Nick (7 October 2013). "Iggy Azalea interview: 'Sometimes I feel similar Australians can become fuck themselves'". Fourth dimension Out. Archived from the original on xiv July 2014. Retrieved eight May 2014.
  9. ^ Leconte, Julia (24 Apr 2014). "Iggy Azalea". Now. Archived from the original on iv May 2014. Retrieved 8 May 2014.
  10. ^ McGuire, Michaela (vii November 2013). "Iggy Azalea says record label 'made me disposable'". The Sydney Morning Herald . Retrieved 15 September 2015.
  11. ^ Davies, Becky (25 Apr 2015). "One From the Athenaeum: The Interview: Iggy Azalea". Hunger Goggle box. Retrieved xv September 2015.
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External links [edit]

  • "Work" music video on YouTube

daygooming57.blogspot.com

Source: https://en.wikipedia.org/wiki/Work_(Iggy_Azalea_song)

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